By Eoin Colfer
11 medical professionals, 11 months, 11 tales: a year-long occasion of healthcare professional Who! the main interesting names in children's fiction each one create their very own targeted event concerning the time-travelling Time Lord.
London, 1900. the 1st health care provider is lacking either his hand and his granddaughter, Susan. confronted with the hunt for Susan, a wierd beam of soporific gentle, and a bunch of marauding Soul Pirates reason on harvesting human limbs, the general practitioner is promised a perilous trip right into a land he could by no means forget...
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Additional resources for A Big Hand For the Doctor (Doctor Who: 50th Anniversary, First Doctor)
The salary and bonus compensation of key network and station officials are also governed by ratings success. Ratings results ultimately determine whether top management and programme and news management in television and radio broadcast organizations will retain their jobs, be promoted, or demoted. (Beville 1985: xi, emphasis added) This all-importance of ratings, real and perceived, for operations of the television industry has always been accompanied by severe cultural criticism. One of the most general assumptions about the negative effects of ratings is their presumably detrimental influence on the quality of television programming—its contribution to what is often called the ‘vast wasteland’ of American television (Boddy 1990).
Audience-as-market and audience-as-public then are two alternative configurations of audience, each connected with one of the two major institutional arrangements— commercial and public service—of broadcast television. These two configurations provide the founding paradigms for the production of knowledge about the audience within specific institutions. Thus, institutional knowledge produced in the context of American commercial television generally displays a vocabulary and a set of preoccupations which articulate and ultimately fit into the idea that the audience is a market to be won, while the repertoire of institutional knowledge circulating within public service institutions in Europe and elsewhere needs to enhance and sustain the idea that the audience is a public to be served with enlightened responsibility.
The ideological bearings of this argument become crudely explicit in, for example, Mal Beville’s (1985:240) selfcongratulatory statement that ‘ratings are…an expression of democracy in action…. No Commercial knowledge: measuring the audience 41 other medium anywhere in the world can match the variety and quality of the total output of the programs that weather our ratings system to reach the American public’. Established here is the reduction of popularity to a matter of numerical superiority, as well as the easy equating of numerical superiority with audience preference—as the term ‘ratings’ as such suggests.
A Big Hand For the Doctor (Doctor Who: 50th Anniversary, First Doctor) by Eoin Colfer